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Showing content with the highest reputation on 09/25/2025 in Posts
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"Washed Up Ain't the Same as Washed Out." This is the character story of Earnell "Ice Pick Kells" Kelly, a small-time hustler and ex-con who's back running the streets alongside Ornell "Ice Man" Yards. Willowfield donβt change. It just rots slower. Thatβs what Earnell Kelly thought as the county bus dropped him off near the projects where he grew up β still cracked concrete, still tagged up, still home. He was 19 when he caught his first bid. Armed robbery. Caught on some dumb stick-up with a TEC-9 that jammed before he could even get nervous. Did 3 years on that. Got out, thought heβd be smarter. He wasnβt. By his late 20s, Earnell had become a ghost of his younger self β heavy on the pipe, light on the hustle. He used more than he moved. Got sloppy, got paranoid, burned bridges, and eventually got locked again β this time for possession with intent. Nobody even came to visit. Except Ornell Yards. While Earnell spiraled into addiction, Ornell kept climbing. Not legit, but higher up in the street game β methodical, calculated, respected. Heβd send commissary when nobody else did. Wrote letters like it was the '90s. Out the Gates Now he's 35, fresh out, still not sober but hungry. Not just for money, but for relevance. The streets moved on. Young bucks with switches and IG pages, flexing paper they ainβt earned. But Earnellβs got that old game in him. That muscle memory. Credits to ShortDogg for the skin-mod and character inspiration, also to Misiek and Toppan for some of the skin edits.2 points
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It's been a rap feud between the two gangs (Bad Influence Crip & Verona Shoreline Crip) It ended up getting too crazy music wise to where a situation ended in a back & forth on Myface leading to a shootout.2 points
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Stretch / Ghost / Slim Shot / K-Ruff / Ruff Rider / Spade / Chop / Trigger The story of Kahlil Ruffin is one that pulls back many layers of what it means to establish oneself at the top of the criminal ladder. A colorful, well-connected arms dealer finds himself in the chokehold of criminality incarnate, forced to adapt and question everything at the drop of a dime. Even while highly respected and connected, he is trapped in an ecosystem that thrives on exploitation. He weighs the integrity of his own safety and the shared victory between himself and the ones he struggled with in his hands. What exactly does it cost to stand at the top? Are the ties built while struggling worth stepping over to achieve a slice of short-lived paradise? While a mobster's choices seem abundant in a constantly evolving state of criminality, only in times of complete desperation do they discover they had no choice at all. "Every favor is a debt, and every debt is a chain. You climb high thinking you're free, until you look down and realize some motherfucker's holding the rope." The title "Road to Perdition" directly references the same titled film starred by Tom Hanks, portraying Michael Sullivan, who's position as an enforcer grants him wealth and respect. However, betrayal within the organization forces him onto a bloody path. Like Sullivan, Kahlil faces the painful truth: the higher he climbs, the more fleeting peace becomes. The paradise he seeks is fragile, dependent on sacrifices that leave permanent scars. Both stories wrestle with the tragedy that true freedom is unattainable in a world built on violence and manipulation. The world "perdition" refers to a state of eternal punishment and damnation into which a sinful and unpenitent person passes after death.1 point
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Only the best of the best, following.π₯1 point